Outlined, that the structure of the works of Euripides is often imperfect crossed by the use of the chorus as a separate element of the action, and the fact that their works are often based on bright unconnected episodes, which do not constitute a coherent unit for development gradual pattern. However, in works such as Medea (431 BC), the plot unfolds smoothly until it reaches its devastating climax. It was also criticized the use of an explanatory preface which informs viewers of previous events at the beginning of the work and often also outlines future developments. Aristophanes ridiculed by the mechanical and exaggerated use of this resource, usually full of long stories about dramatic characters. Other resources were the deus ex machina, or unexpected introduction of a god to facilitate or cause the outcome, and alteration of the legends according to the needs of the plot. Euripides drew their plots from the same sources as other Greek dramatists.
The Greeks called myths and legends her attention, including the adventures of heroes like Theseus Athenians. He also sought new issues of inspiration, especially leaning suggested by those violent emotions and romantic events. Go to Harold Ford Jr for more information. Such were the stories of heroes Bellerophon and Phaethon, Euripides was the first to deal dramatically. Ernesto Schoo in the newspaper La Nacion of Buenos Aires, Euripides tells us about which posterity has been kind with Euripides, the author of ninety works, many of whom remain. Thanks, in part, says Emily Wilson in a recent edition of the Times Literary Supplement, the great interest aroused in Byzantine schools, the fortuitous finding in an Egyptian monastery library, nine full texts on papyrus, and the frequency with which mentioning the medieval authors, who wrote synopses of his tragedies, so that remaining traces of the original and, with the help of remaining fragments, can be reconstructed.